Duo Rose Trapeze made their Teatro ZinZanni premiere this fall in “Hacienda Holiday” and have been a delight to have in the tent. In order to get to know them a bit better, ZinZanni staff had the opportunity to do a Q&A with Duo Rose. From salmon fishing to baking delicious treats, we learned they are certainly making the most out of their time in Seattle!
We had a great time in rehearsal with the cast. The process of building the show was a lot of fun stepping out of our comfort zone to sing and dance as well as speak on stage for the first time. (Not to mention that these were the first rehearsals in our entire career that have ever run on time…)
We have also enjoyed the response to our compulsive baking. According to the lovely Kevin Kent, I am the “Devil” for compromising his waistline.
Another, very special experience was going out fishing with Joe “The Godfather” Toro. We were lucky and caught the last two Salmon of the season.
How do you decide what music to use for your act?
We have used the same song for our entire career. We were listening to this artist for a while and when we heard that song we fell in love with it. From there we decided to build our routine around it. It’s Matthew Schoening’s “Emotional Clockwork”.
Where did you meet? How did your collaboration begin?
Samuel – We met seven years ago in Chicago. We had performed in the same Gala fundraiser for a local youth circus program. She was doing a group unicycle act and I was performing a Russian barre act at the event. I had seen her around the venue and was quite smitten with her but she didn’t even notice my existence.
We didn’t see each other again for about a year after the event until we met again by accident. At the time I was living at her contortion coaches house. Her coach, the world famous Oyunchimeg “Oyuna” Yadamjav, taught her Mongolian contortion classes from her living room in Skokie, IL. Oyuna called me one afternoon to ask if I could fill in for one of her classes and stretch the next person who walked through the door.
After an awkward and uncomfortable stretching session I mustered up the courage to invite her to a circus open gym. After several weeks of training we became a couple and worked to develop our current act.
What is the coolest venue you’ve performed in and why?
One of the most special venues we have had the chance to perform in was the Karl Marx theater in Havana, Cuba. We have the honor of being the first American Circus act to perform in Cuba since 1959. We were officially sanctioned by the US and Cuban governments to perform in the 9th International Circus festival CIRCUBA.
It was incredible to perform for the opening of the festival to a sold out house of more than 5,500 people packed well past capacity. The crowd was incredibly excited to see American artists, and was so enthusiastic that we couldn’t even hear our music the whole routine.
What is the most dangerous aerial trick you’ve attempted? Have you perfected it?
We have been playing with a “Skin the cat to feet”. It is a dangerous open rotation. We have not yet caught it and the bail is Sylvia landing on her head. Luckily we train through trial and error over a foam pit.
If you had to splurge on some not-so-healthy food……fried chicken or pizza?!