Hotel L’Amour’s Local Reviews

A month into Teatro ZinZanni’s latest production Hotel L’Amour and we are receiving wonderful reviews from our local media. Here is a taste of what they are saying.

“When you aren’t eating, your eyes will be glued to the stage where the performers show why they are the best in the world,” Robert Moore, Seattle Chinese Times.

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“The acts are good enough that I’ll run out of superlatives long before I finish describing them,” J. Autumn Needles, Edge Media Network.

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“The story of the grand hotel and the Madame is my new Zinzanni favorite, under that beautiful spiegeltent,” Kerri Jablonski, I am the Maven.

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“Just close your eyes, and check into their latest endeavor, ‘Hotel l’Amour’ for an entertaining extravaganza and a culinary delight,” Starla Smith, Queen Anne and Magnolia News.

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Hotel L’Amour runs through September 25th. Get tickets here!

Busy Bees in the Costume Shop

Our new show Hotel L’Amour features a full cast of divas! From our beloved Caesar, to magician Voronin, and movie star Liliane Montevecchi, the costume shop certainly has their work cut out for them. They are busy at work with fittings, bedazzling, and draping for the costume designs of Louise DiLenge. Show opens June 16th, we’ll see you there!Screen Shot 2016-05-12 at 12.54.00 PM Screen Shot 2016-05-12 at 12.54.20 PM Screen Shot 2016-05-12 at 12.54.40 PM

Final Month of “Be Italian!”

If we’ve learned one thing this run, it’s that Italians certainly like to have fun! Only month of performances left of Be Italian! Show must close June 12th.

Photos by Michael Doucett.

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Shout Out to Japan Event at Teatro ZinZanni

Shout Out to Japan Event at Teatro ZinZanni

On Saturday morning, March 12th, Teatro ZinZanni will host an emergency preparedness event in reflection of the 5 year anniversary of the devastating 2011 northeastJapan earthquake and tsunami. The event is presented by the Japan America Society of the State of Washington (JASSW) with support from the Consulate General ofJapan, emergency preparedness experts and a number of businesses and organizations in Washington and Japan.  Teatro ZinZanni and its founding company One Reel have partnered with the Society and many Japan-related organizations since the 1980’s, when One Reel produced a number of Japanese cultural events, from Family Fourth fireworks to a trilingual musical to national tours of Grand Kabuki Theatre.

On March 11, 2011, the northeastern coast of Japan was struck by a massive earthquake, followed by a devastating tsunami, resulting in almost unimaginable damage to large cities, a nuclear power plant, and dozens of small communities along the coast.  In 1995 Seattle’s sister city of Kobe also suffered a great quake. After these disasters, many rushed in to help, but most impressive was the way that survivors came together to rebuild their communities and their lives.   In the Pacific Northwest we are all aware of the risk of a large earthquake and possible tsunami.  What will it be like?  What will we do?

It was a Japan-related cultural that led to the creation of Teatro ZinZanni.  In 1991, One Reel worked closely with Japanese company Furusato Caravan and its musical director Tateo Teramoto and his wife Mana Sofue to produce a trilingual rice farming musical. Many Seattle artists were involved, including Teatro ZinZanni keyboard player extraordinaire Marina Albero and Seattle Children’s Theater founder Linda Hartzell.  The musical toured rice-farming areas in Japan and the United States, and then went on to Barcelona for the Olympics Arts Festival in 1992.  It was there that founder Norm Langill saw a Spiegeltent –which in 1998 would become what Teatro ZinZanni is today.

After the tsunami in 2011, Tateo Teramoto and Mana Sofue worked with survivors of the disaster to create a musical about the shock of the disaster, their gratitude for the help they received, and the way they wanted to rebuild and reclaim both their traditions and their futures.  They made a book and film about the musical: 100 Ways to Say Thank You. Teatro ZinZanni and the Japan America Society are proud to host Mr. Teramoto and Ms. Sofue to present a short version of the film during the March 12th event.

The event will help Seattle imagine what it would really be like to experience an earthquake/tsunami disaster on a large scale.  We know we should prepare, but it’s hard to imagine it really happening. What would it be like? How could we respond? We also want to send words of comfort, admiration and thanks to those in Japan whose bravery inspires us.

This event is free to the public and will include speeches from Japanese dignitaries, emergency preparedness experts, along with a sing-a-long of a song from the musical with Mr Teramoto and Hans Teuber, director of the Teatro ZinZanni band. It will close with a number from the Winds of Hope chorus, sung every year since the disaster.  We encourage you to join us to Remember, Repair and Prepare. 

Saturday, March 12thTeatro ZinZanni
222 Mercer St Seattle, WA 98109
Doors open at 10:00am, event begins at 10:30am
 
For more information, please visit http://jassw.org/en/

Seattle Date Night

Seattle Date Night Offer
Wednesday is the new date night!

Through our exclusive partnership with Seattle Date Night, you can enjoy $79 tickets to Wednesday performances and pay NO processing fees! Use code “seadatenight” at checkout.

BUY TICKETS

Select Wednesdays in 2016:

  • Jan 27
  • Feb 17
  • Mar 23
  • May 18
  • Jun 22
  • Jul 13
  • Aug 17
  • Aug 24
  • Sept 14
  • Oct 5
  • Nov 16

History of Our Spiegeltents

To house Teatro ZinZanni, two beautiful antique theatres from Belgium were imported and erected them in downtown Seattle.

Opulent palaces of red velvet and gold brocade, stained glass and deep mahogany, the European cabaret tents, known as spiegeltents (mirror tents), were constructed in the 1910s by renowned craftsman Willem Klessens. These warm, intimate circular theatres hosted dances, wine tastings, cabarets and celebrations in Europe for almost a century.

Each tent consists of over 4000 pieces. Designed to be erected and broken down in a hurry, Klessens’ spiegeltents require no metal fasteners for construction and can be assembled by a team of three or four in a single day. There are currently about one hundred of these remarkable structures in existence, and these two tents, San Francisco’s Palais Nostalgique and Seattle’s Moulin Rouge, are among the oldest in the Belgian collection. The tents are still owned by the Klessens family and Willem’s grandson, Willy Klessens (and his son Johnny). Together, they have been lovingly restoring and touring the tents since 1987. Willy traveled to Seattle and San Francisco with his son Johnny and brother-in-law Tom to oversee the construction of these tents for Teatro ZinZanni.

Klessens Tent
The Klessens outside a Belgian spiegeltent

Each of these gorgeous pavilions has a unique history. The Moulin Rouge in Seattle was nearly destroyed by the Nazis as retribution for a resistance force that blew up a bridge in advance of the Nazi approach. The Nazis burned the wood from the tent in a huge bonfire at the foot of the demolished ridge and smashed all the mirrors. While very little of the Moulin Rouge is original, San Francisco’s Palais Nostalgique was buried deep underground during WWII and made it through the conflict unscathed. Both century-old tents are still in fine form. They stand twenty-nine feet tall, with a circumference of 211 feet. They can comfortably accommodate 300 audience members, along with the waiters, clowns, singers, jugglers, trapeze artists, contortionists, musicians and acrobats who serve them.

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The Moulin Rouge tent in Seattle, WA

Ageless Ariana Lallone – An Interview with Marcie Sillman

We are so lucky to have former prima-ballerina as part of the ZinZanni family! Earlier this month Ariana and KUOW host Marcie Sillman spent the afternoon talking about ballet, transformations, and the future.

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Ageless Ariana Lallone
by Marcie Sillman

See the full article here.

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Photo by Angela Sterling

She may kill me for revealing her age, but what the heck?

Ariana Lallone is 47 years old, and she’s as striking and vibrant as she was the first time I saw her dance with Pacific Northwest Ballet 20 years ago.

If you’ve seen Ariana Lallone in performance, you know she’s unforgettable. She’s 5’11” in her stocking feet, 6’5” en pointe, with dark hair and a Roman nose. As Lady Capulet in Jean Christophe Maillot’s “Romeo et Juliette”, in Ulysses Dove’s “Red Angels”, or Nacho Duato’s “Jardi Tancat,” Lallone creates an unforgettable impression.

Lallone left PNB four years ago. She wasn’t necessarily ready to stop dancing;

“I felt like as long as I was learning, wanting to change, wanting to improve, that I still had a desire to keep going.”

But she and PNB Artistic Director Peter Boal didn’t see eye to eye on when Lallone should actually leave the company. She wanted to stay longer; he didn’t agree.

Lucky for her fans, Lallone had the world’s shortest jump from PNB to her next job at Seattle’s Teatro Zinzanni. Literally, she walked across the street and transformed herself from ballerina to cabaret performer.

Lallone didn’t even apply for the gig. She’d heard that Zinzanni’s Associate Artistic Director, Reenie Duff, wanted to talk to her about an upcoming show, “Bonsoir Lilliane,” choreographed by Broadway great Tommy Tune.

She remembers how that conversation was initiated. Lallone was double parking on Mercer, just outside PNB. Duff turned up at her car, and invited the ballerina to talk. Several hours of yakking later, Lallone’s second act was underway.

Teatro Zinzanni may be just across the street from McCaw Hall, where PNB performs, but the intimate velvet tent with its antique wooden floor and mirrored walls could be on another planet for all that these two performance venues resemble one another.

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Photo by Angela Sterling

In McCaw Hall, PNB company members dance for up to 3,000 people. A large orchestra pit is located between the audience and the stage. If you have good seats down front, you can see the dancers’ faces. If not, well, opera glasses are always a good bet at McCaw.

In Zinzanni’s tent, Lallone finds herself on a 9 foot circular stage; she can look right into the eyes of the people who come to the dinner theater. And they can see her. She’s just inches away.

It was a challenge at first.

“I was a big mover,” she explains. “So you step out three feet from your center and it’s someone’s dinner table!”

But Lallone figured out how to use that proximity to good effect, how to make the eye contact and the intimate surroundings work for her.

And she learned that to use her ballet training in that small venue, she had to move her performance into another dimension: up into the air.

“I needed a new partner. And the new partner wouldn’t be a person, it would be a thing,” explains the dancer.

Specifically, a large metal hoop called a lyra. Lallone took aerial training lessons, and she performs regularly now up above the audience.

But Lallone isn’t part of the cast of this summer’s Zinzanni production, “The Return to Chaos.” The show actually marks her first solo foray into choreography. It’s an artistic path that surprised her.

Ariana Lallone

Photo by Michael Doucett

“Choreography was always something (to which) I said No!” she laughs. “I had so many ‘nos’. No I don’t do this, no I can’t do this, in my brain. And all of those ‘nos’ have gone away.”

The last four years have been a whirlwind for Ariana Lallone. She’s learned new skills, but most of all, she says she’s learned to say yes.

“I had a single focus in my career, which was ballet.” Lallone pauses to think. “Walking across the street to Zinzanni, my world just opened up sideways.”

But even though you can take the dancer out of the ballet company, you can’t remove decades of ballet from the dancer.

“I’ll always be a ballerina,” says Lallone firmly. “I may branch out, but that will always be my ‘being.’

 

Let Us Bring Teatro ZinZanni to YOU!

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What will make your event truly unforgettable?

Fabulous entertainment from Teatro ZinZanni will make your fundraiser, company meeting or celebration the event of the year! ZinZanni is thrilled to launch our new offsite entertainment program! From top to bottom, beginning to end; we’ll help you create an event with performance elements customized for your corporate functions, holiday celebrations, fundraisers, and parties at the venue of your choosing! Any event of any size can be transformed with Teatro ZinZanni’s world-class circus performers, cabaret stars, gut-busting comedians, incredible musicians, dazzling costumes and more!

Our team will work closely with you to create the event of your dreams offering a wide range of options to fit your budget and your needs. Teatro ZinZanni has partnered with EnJoy Productions, a local leader in producing world-class events, to bring together unrivaled talent from around the world to you. Contact us now and let our imagination run wild for you!

Have Questions? Contact our Group Sales and Events Team at 206.802.0013

Behind the Lens: Creating the New TZ Video Campaign

We’re hoping at this point you’ve seen our new TV spot and sizzle reel, the culmination of a 16 hour shoot and countless hours of pre -planning. We’re here to share some insight from our amazing video producers, VMG Studios 520, on the creation of this spectacular spot.

VMG Studios 520 and Teatro ZinZanni

Maybe you have seen this on air this month? It’s the Teatro ZinZanni commercial we produced with their amazingly talented performers. It has become one of our favorite videos in our ten-year history… Enjoy the spot and then read more of the details in the other stories.

TV SPOT:

 

Sizzle Reel:

Can you hear the wind?

Part of what makes the ZinZanni spot so creative is the use of audio. Our team spent a lot of effort coming up with just the right music, with a sense of mystery and a lot of space in it so that the voice over and sound effects could be blended in perfectly. Speaking of sound effects…do you hear the wind? How about the woodblock? And just how many times do you hear that wonderful laugh?? Play it a few times…watch it with your ears.

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Glad you asked about how we shot the ZinZanni video. When you go about something this ambitious, your success depends upon planning (and then execution).

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Read how we executed this shoot, here.

 

 

 

Thunderous Applause for The Hot Spot

It’s a fact – The Hot Spot is a hit!

From the fine dining to the exciting acts and hilarious banter, the cast of The Hot Spot shines and the critics rave. You can catch the show at Teatro ZinZanni until June 7.

– “Lady Rizo is a hell of an addition to the Teatro Zinzanni lineup with her sex appeal, powerful voice and zany sense of humor.” 

The Hot Spot
“The food is worth a special mention as well…The menu for this show, from a split pea soup with lime crème, to roasted pumpkin mascarpone ravioli, to passion fruit cheesecake, was both unusual and delicious.”- Edge Media Network

– “Teatro ZinZanni [is] a unique treasure that seems like a Disneyland for adults,” on the Huffington Post

– “The brilliant, wisecracking Frank Ferrante holds the show together as emcee extraordinaire…..with all the reasons to see this ZinZanni production, watching Ferrante in action is right at the top,” The Seattle Post-Intelligencer.
The Hot Spot
– “People walked out of the main tent and into the lobby after the show with smiles on their faces and a real sense of having experienced something unique and wonderful,”The Examiner
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– “The cast and crew of ‘The Hot Spot’ create a warm and welcoming experience for the attendees, providing excellent service and entertainment that is sure to please,” UW Daily

Caesar had the chance to recreate Cocktail Time with Caesar live on air with KOMO Anchor Mary Nam and TZ Bar Czar Jamie Rizzo (plus a surprise appearance from Steve Poole!)

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We also had the pleasure of having Lady Rizo and the Teatro ZinZanni band on Art Zone with Nancy Guppy. The piece was filmed at the wonderful Gage Academy of Art. You can see Lady Rizo perform at the 17:00 minute mark and the closing credits.

 

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Caesar’s Caesar-isms!

If you’re a fan of the Caesar, then you know he’s got a plethora of catch phrases at his disposal. With so many to choose from….which one is your favorite?

You can catch Frank Ferrante as Caesar now through June 7th in The Hot Spot. 

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Teatro ZinZanni - Love, Chaos & Couture

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Saying Adios to Hacienda Holiday

Dingle dingle!

Beaumount and Caswell have drank all the mezcal, and Don Diego’s hacienda has closed up shop. We asked the cast to share some of their favorite memories during their time in Hacienda Holiday.

Hacienda Cast Photo
Ariana Lallone:
“I would say one of my favorite moments in the show was …waiting to see what “Buck” drew in the Cash and Lupita bit…as well as the improv response that followed. I also loved every night….standing at front of house with the entire cast bidding the audience “Buenos Noches”. This show has been so fun and I’m so grateful to have been a part of it.”
Christine Deaver:
“One of my favorite moments from Hacienda Holiday was a buyout from Snoqualmie Casino.  Our audience participant “Buck” was this great funny guy who had a very unique walk and arm gesture that resembled Popeye.  So Kevin and I took advantage of this and copied his walk over and over again to the point to where we were laughing so hard I had to bend over and cross my legs.  By the end of the night, everyone was walking like this guy and he left the tent a rockstar!”
Family Photo Hacienda Holiday

But there’s never a dull moment around here. We’re putting down the tequila, and picking up the martinis! Tonight we open The Hot Spot, featuring the return of Chef Caesar and ZinZanni debut of Lady Rizo!

 

 

 

 

Food from Hacienda Holiday!

The talk of the town right now is all about the food in our current show Hacienda Holiday. Chef Erik has created an amazing menu with a south of the border zest, plus our bar manger Jamie has concocted perfectly paired Spanish wines and Mezcal flights for your tasting delights!

“And the meal? Best I’ve ever had at a ZinZanni show, from appetizer through dessert”

Talkin’ Broadway

Here’s a little teaser of what’s in store for you at a night at Teatro ZinZanni (and you can see the full menu with add-ons here!)

APPETIZER

Savory charred sweet pepper salad with Serrano ham, Asadero cheese, and Kalamata olives

SOUP

Corn chowder with toasted pepitas

SALAD

Tender butter lettuce, red oak leaf, and green leaf lettuce, dried cherries, and mandarin orange tossed with an aged 12-year balsamic vinegar

ENTRÉES

Beef

All natural Kobe sirloin with chipotle cream served with smoked cheddar potatoes au gratin, sautéed sweet chilies and squash with lime chile butter

Fish

Wild King salmon with Guajillo butter, lemon-chile cream, served with wild rice parmesan balls and zesty sautéed vegetables

Vegetarian

Smoked farro stuffed Pasilla chilies topped with lime créme and green apple served with a hominy-edamame succotash

DESSERT

Spicy Mexican chocolate cheesecake ‘pop’ and rich ginger molasses bite

 

Duo Rose in the Hot Seat

Duo Rose Trapeze made their Teatro ZinZanni premiere this fall in “Hacienda Holiday” and have been a delight to have in the tent. In order to get to know them a bit better, ZinZanni staff had the opportunity to do a Q&A with Duo Rose. From salmon fishing to baking delicious treats, we learned they are certainly making the most out of their time in Seattle!

Duo Rose
What has been your favorite experience at ZinZanni?
Getting to know the cast and crew has been one of the best parts of working here. Getting to be a part of this family has been an absolute joy. 

We had a great time in rehearsal with the cast. The process of building the show was a lot of fun stepping out of our comfort zone to sing and dance as well as speak on stage for the first time. (Not to mention that these were the first rehearsals in our entire career that have ever run on time…)

We have also enjoyed the response to our compulsive baking. According to the lovely Kevin Kent, I am the “Devil” for compromising his waistline.

Another, very special experience was going out fishing with Joe “The Godfather” Toro. We were lucky and caught the last two Salmon of the season.

How do you decide what music to use for your act?

We have used the same song for our entire career. We were listening to this artist for a while and when we heard that song we fell in love with it. From there we decided to build our routine around it. It’s Matthew Schoening’s “Emotional Clockwork”.

Where did you meet? How did your collaboration begin?

Samuel – We met seven years ago in Chicago. We had performed in the same Gala fundraiser for a local youth circus program. She was doing a group unicycle act and I was performing a Russian barre act at the event. I had seen her around the venue and was quite smitten with her but she didn’t even notice my existence.

We didn’t see each other again for about a year after the event until we met again by accident. At the time I was living at her contortion coaches house. Her coach, the world famous Oyunchimeg “Oyuna” Yadamjav, taught her Mongolian contortion classes from her living room in Skokie, IL. Oyuna called me one afternoon to ask if I could fill in for one of her classes and stretch the next person who walked through the door.

After an awkward and uncomfortable stretching session I mustered up the courage to invite her to a circus open gym. After several weeks of training we became a couple and worked to develop our current act.

What is the coolest venue you’ve performed in and why?

One of the most special venues we have had the chance to perform in was the Karl Marx theater in Havana, Cuba. We have the honor of being the first American Circus act to perform in Cuba since 1959. We were officially sanctioned by the US and Cuban governments to perform in the 9th International Circus festival CIRCUBA.

It was incredible to perform for the opening of the festival to a sold out house of more than 5,500 people packed well past capacity. The crowd was incredibly excited to see American artists, and was so enthusiastic that we couldn’t even hear our music the whole routine.

What is the most dangerous aerial trick you’ve attempted? Have you perfected it? 

We have been playing with a “Skin the cat to feet”. It is a dangerous open rotation. We have not yet caught it and the bail is Sylvia landing on her head. Luckily we train through trial and error over a foam pit.

Here is the video of one of our bails:

If you had to splurge on some not-so-healthy food……fried chicken or pizza?! 

Samuel – Why not both? Sylvia is incredibly lucky and can eat whatever she pleases. I on the other hand keep to high waisted pants for my costume and pull up sessions after every show with our stage manager Stormy Edwards.
Sylvia- I usually choose sweets though. I can eat an obscene amount of chocolate.

 

“Best dinner show in town!” -Seattle PI

14424249936_b347fce587_zWhen Sparks Fly has been open for over a month now and both press and fans alike are raving! Let’s see what they have to say…

Here are some highlights from the press:

“An absolute delight from beginning to end and, unless you have an aversion to smiling, a killer evening out” -Broadway World

“ZinZanni shows are the kind of over-the-top and jaw-dropping performances that make for an unforgettable experience” – Parent Map

“A refuge from the mundane throes of ordinary life.  Escape the question of what is and isn’t real. Put away your phone. Replace the urge to text and tweet with living in the moment.” -Herald Net

“Teatro ZinZanni is Seattle’s best kept secret.” -Seattle PI

“Having tickets to Teatro ZinZanni is a bit like Christmas come-early” -Issaquah/Bellevue Reporter

Our facebook/yelp fans say:

“This place is amazing!” -Yelp Review

“It’s not just a show, it’s an experience!” -Different Yelp Review

“Cannot recommend this venue enough!” -Facebook Fan

“I’ve been here on vacation for a week and this is the COOLEST thing I’ve done my whole trip! You all were absolutely amazing!” -Another Facebook Fan

Ah. We are feeling the love.  Come on out to the tent to give us your own 2 cents on the show.

To wrap up this post we think ParentMap put it best when they asked “Where else do you get to see what Frankenstein looks like shirtless, swinging from a trapeze bar?”

Nowhere ParentMap. Nowhere.

Buy your tickets here.

The Magic of the Maestro

473867152_1fa5e0cc96_oIf you have seen our newest show When Sparks Fly, you will know that the character of Maestro Voronin does not say a single word the entire evening.  If you have not seen our newest show yet…oops.  Okay, um spoiler alert above!

Though we never see him speak while in character, Voronin has to talk sometimes, and to help him when he is in America is journalist and translator Julia Ochs.  Below Julia has answered some questions about here experience with both Teatro ZinZanni and what it feels like to watch Voronin perform.  For those of you who have seen the show, she is spot on.  If you still haven’t seen it WHY ARE YOU STILL READING THIS POST???

When and how did you first meet Norm Langill and Teatro ZinZanni?

My first visit to Teatro ZinZanni was a fortuitous event; I worked at the Russian World newspaper at that time and we had three comps for the Press night on May 27, 2010. The three people that were supposed to go were: the editor-in-chief Alex, his wife Anna, and a reporter Olga. That afternoon Anna was not feeling well and she offered me her ticket. So, I ended up at the show. Maestro’s Menagerie was my first dinner show ever. I had never seen that style of entertaining before. And even though I go to ballet, theater, opera, musicals and other shows pretty often, Teatro ZinZanni offered an experience so different and so unique, that all those other forms of entertainment immediately paled in comparison!

How would you describe the Maestro Voronin experience?

Watching Maestro Voronin perform is – quite literally – a magical experience. And it’s not just about his genius as a magician. His character charms, mesmerizes and hypnotizes you from the first moment you see him. There is something so familiar about him, as if some persona from the distant past is calling out to you; but at the same time he is so unique and peculiar, one could not find a single character to compare him to. One could describe Maestro Voronin as the essence of count Dracula, Casanova, and count Cagliostro; but in order to complete that image, one would also have to add Charlie Chaplin and Buster Keaton into the mix. Voronin’s combination of comedy and magic instantly wins over even the biggest skeptics. And the best part is – Maestro says it all without uttering a single word throughout the show. The fact that his character is a mute makes him transcend the limitations of languages, locations, and cultures. He’s got that universal appeal, which makes his audience fall in love with his art no matter in which part of the world he performs. Skillfully maintaining a very delicate balance on the edge of humor and seduction, funny and wise, inspiring thought and provoking laughter, he plays with your senses, and takes you outside of reality. He makes you wonder. He makes you believe. He makes you feel.The spiegeltent is like his very own lab, where he studies his guests and experiments to produce a formula of what makes us come alive.

 

There you have it!

Get your tickets here.

A Typical Wake The Night Experience…As told in GIFs

Many people have asked us what to expect when they come to our late night show “Wake the Night”.  Our team has decided that the best way we can explain to you the awesomeness that is this show is through the power of GIFS!

You and your friends make the decision to buy tickets to Wake the Night…

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…And find out that it is only a $12 cover charge!

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Getting ready for a normal Saturday night your preparation may look like this…

GIF-NormalSaturday

…but getting ready for a Teatro ZinZanni night out will look more like this!

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AND this!

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You’ll feel many feels walking through the doors of Teatro…

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…and then you’re given your first drink! LOOK OUT WORLD!

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When the show starts you’re all like…

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…and you may start dancing like you would a regular night out…

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…but soon the power will overtake you and you will find yourself dancing like this!

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Overall the dance floor feels like this!

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Then 12 pack shows off his own 12 PACK!

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You may even get chosen as a V.I.P.

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Then the Muse of Midnight performs…

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But all too soon, the night is over.

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We will be honest, the next morning may look something like this…

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But when asked if you will be there again next Saturday you will be like…

GIF-NextSaturday

This show will not go on forever! Get your tickets now!

Teatro ZinZanni joins the Uptown Art Walk

This month we are trying something new!  For the first time ever our beloved lobby where you have donned feather boas and sparkly glasses will be involved in the Uptown Art Walk featuring the works of artist Javier S. Ortega.

Javier was born in Seville, Spain, where he attended “Escuela de Artes Aplicadas” and worked on the restoration of “Plaza España de Sevilla” giving him the opportunity to travel to Florence to continue his education in sculpture under the Leonardo Da Vinci Scholarship.  Upon completion, his time was divided between the cities of Seville, Valencia, and the island of Menorca as he began having his first shows.  After this, he moved to the city of Seattle where he continues his career exhibiting his work is some of the cafes and galleries scattered around the city Below are some examples of Javier’s work

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And just as a teaser, here is one that is currently hanging in our lobby.

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See you Wednesday, June 18!

For more event details, and to see the other venues involved in the walk, click here.

Continuing our “Rockucation”

Well, we are going into our fifth week of our kid/family show Big Top Rock: Dream On and it is funky as ever!  In an earlier post, we asked the members of the featured band “Dream On” for the top 5 songs they would suggest to any kid wanting to build their rock knowledge base, and we got some great answers

In keeping with our “learning about rock” theme, we asked our friends over at Tractor Tavern to put us in touch with some of their guest artists for more quintessential rock songs.

Our first answer comes from Ben Strehle, who is a guitar player/singer in the local group “Brent Amaker and the Rodeo”.

Ben’s List

  1. Music Box Dancer, Frank Mills
  2. Footloose, Kenny Loggins
  3. People are Strange, The Doors
  4. Black Dog, Led Zeppelin
  5. Imagine, John Lennon

Rachel Flotard is another local artist who frequents Tractor Tavern.

Rachel’s List

  1. Fox on the Run, Sweet
  2. Don’t Stop Believin, Journey
  3. Birthday, Beatles
  4. Me and My Arrow, Nilsson
  5. Thriller, Michael Jackson

There you have it. So parents, expose your kids to these lists BEFORE IT’S TOO LATE!  Start by bringing them out to the show!

Making Magic with ‘When Sparks Fly’

Alright folks, it’s almost here!  The day you have been anxiously awaiting.  In a little under two weeks we will be opening our newest show WHEN SPARKS FLY.

Our all-new, hair-raising production guaranteed to intrigue and delight!

About the show:
Enter Maestro Voronin’s tent-topped laboratory to witness his final, most ingenious creation.  Watch as a wicked cast of his other minions including an airborne femme fatale, a pliant puppet, and some wisecracking pranksters attempt to thwart Voronin’s latest and greatest masterpiece.  WHEN SPARKS FLY is scientifically proven to produce monstrous entertainment!

The Bewitchingly Talented cast…

Dreya Weber does it all.  An acclaimed actress, musician, aerialist, choreographer, lyricist, and director, Dreya has previously headlined in Teatro ZinZanni’s Hail Caesar! and Gangsters of Love.

Duo Madrona made up of Ben Wendel and Rachel Nehmer come as a pair in their outstanding trapeze act.  This will be their seventh production with Teatro ZinZanni.

Elena Galitova is a several-time national champion rhythmic gymnast.  She has been featured as a principal acrobatic character and lead dancer in the Las Vegas show Zumanity. This will be Elena’s second show in the Seattle tent.

Joe De Paul is a canadian born actor, writer, teacher, director, and clown.  He has worked with Cirque du Soleil numerous times and his unique physical comedy has brought him through various cabarets and circuses in Europe.

Kristin Clayton is an American lyric soprano and also an original cast member of the San Francisco Teatro ZinZanni.  Her beautiful voice has given her the opportunity to play some of the greatest leading ladies in the operatic repertoire.

Svetlana is an original Teatro ZinZanni cast member.  She was born in Russia and blends modern dance, pantomime skills, magic, and contortion in the creation of her sensational puppet act.

Voronin is known in many places throughout the world simply as “The Maestro”.  He is a Ukrainian born illusionist and has been a cast member from the first Teatro ZinZanni tour in 1998.  This will be his 23rd performance with Teatro ZinZanni.

Avoid Parking Hassle!

Office SpaceAlright, there is no point beating around the bush.  What with the construction on Mercer St. and Northwest Folklife Festival going on, this is going to be a rough week parking wise.  However, your trusty friends at Teatro have conjured up some creative ways to get here while avoiding that mess!

1. Uber

If you have not yet heard of it, Uber is a private car service that costs less than a taxi, and is a much more enjoyable experience.  This option is nice because it makes a designated driver unnecessary, and you can download the app right to your smartphone!  For more information, check out their website at www.uber.com

2. Buses

Nothing like public transportation.  Because we are so close to the Space Needle, a lot of buses stop within a half-mile of the tent.  Check out http://www.soundtransit.org/ for more information!

3. Taxi

Annoyed by the youths and their “smartphone’s”?  Keep it real by a good old-fashioned taxi.  Seattle has many great cab services that are just a quick phone call away.

4. Mix and Match

Catch a bus to the tent, and then uber home! The world is your oyster at Teatro ZinZanni…and to and from Teatro ZinZanni.

Playlist: “Dream On” Band Members

Our latest kid/family show here at the tent has been a HIT so far!

Big Top Rock: Dream On is a show featuring a playlist of your favorite rock songs in a format that kids can’t get enough of!  We asked members of the featured band “Dream On” to give us the top 5 rock songs that are essential to a good music education for kids.  To accompany their choices, we also requested from them a picture of themselves as kids… Magic ensued

Lead singer of “Dream On“, Jen Ayers told us that coming up with her list was fun but difficult, and she could not resist giving us 6 songs instead of 5.

Jen’s List                                     

  1. Stairway to Heaven, Led Zeppelin
  2. Baba o’Riley, The Who
  3. Back in Black, AC/DC
  4. While My Guitar Gently Weeps, The Beatles
  5. Another Brick Wall Part 2, Pink Floyd
  6. Smells Like Teen Spirit, Nirvana

The rockin’ drummer, Faith Stankevich, had none of the same songs, but all of the same difficulty and more picking just 5.  Eventually Faith just closed her eyes and pressed send because she was so broken up about all the songs she was leaving out.

Faith’s List

  1. You Can’t Always Get What You Want, Rolling Stones
  2. Time, Pink Floyd
  3. Take Another Little Piece of My Heart, Janis Joplin
  4. Should I Stay or Should I Go, The Clash
  5. When the Levee Breaks, Led Zeppelin

Amy Barrysmith plays the bass and keyboard in “Dream On”.  She gave us 5 bands, because 5 songs were too limiting.

Amy’s List

  1. ZZ Top
  2. Van Halen
  3. Black Sabbath
  4. AC/DC
  5. Led Zeppelin

Graham Ayers is the lead guitarist  (and married to Jen).  While everyone else verbally lamented their difficulty choosing a song, Graham just sneaked in an extra one without comment.

Graham’s List

  1. Baba O’Riley, The Who
  2. Stairway to Heaven, Led Zeppelin
  3. Satisfaction, Rolling Stones
  4. While My Guitar Gently Weeps, The Beatles
  5. Layla, Eric Clapton
  6. Comfortably Numb, Pink Floyd

Though everyone’s lists were different, no member could pick just 5 songs with ease, proving not only the quantity but also the quality of rock. Come on out to the tent to hear some of the songs mentioned above and many more, and introduce your kids to the magic that is rock!

Blast from the Past Pictures!

 

Wake The Night’s Tory Peil Q&A

When did you start dancing? How did you know you were going to be a dancer?

I asked my parents when I was four years old to sign me up for ballet classes because I
was “going to be a ballerina.” They said “sure” and have been dealing with the consequences
ever since. I’ve always loved moving and being really physical so dance was just always a good
fit.

You have recently become quite involved in the local burlesque scene, despite a more
technical dance background. What drew you to burlesque?

I’m a classically trained ballerina so the world of contemporary dance and burlesque seemed
entirely out of the realm of possibility just five years ago. I previously danced with Spectrum
Dance Theater
and now am a full time company member of Whim W’him, Olivier Wever’s
company.

I was lucky to be taken under the wing of some of the great performers in this town like Lily
Verlaine
and Jonny Boy of the Can Can. It was them who saw my love of acting and vamping,
and encouraged me to mix it with my heavily technical background. The mix has been an
incredible joy — dancing in a not so serious way while making an audience laugh is really
rewarding.

I’m drawn to the incredible amount of creativity the Burlesque and nightclub scene bring to the
stage. There are no rules in that world, which is really exhilarating. I’m really inspired by being
pushed physically and creatively.

How would you describe the dance elements in Wake The Night?

You’ll find us throwing down on Go Go platforms, giving you some Bollywood parades and even
having a Bull Fight Pas de deux. It’s a crazy mix of anything and everything throughout the
night.

What is your favorite dance form?

I love watching contemporary ballet. Anything (William) Forsythe to Alonzo King.

In your own words, what can people expect to see and experience at Wake The Night? Why should they come?

Wake the Night is the perfect meld of Seattle’s incredible theatre scene and a night at a dance
club. Being surrounded by performers who are just enjoying the music along side you and ready
to throw down a surprise at any moment is something Seattle doesn’t offer anywhere else. It’s a sexy, exciting night for someone of any adult age.

 

Playlist: Duo Madrona

The Beatles!TZ Dream On

ACDC!

Blondie!

The Velvet Underground!

Queen!

Joan Jett!

All rock royalty and all have been played or air guitar-ed here within the last two days. These bands aren’t what most people associate with us. In fact, most equate Teatro ZinZanni musical fare to the swanky, jazzy, cabaret variety (did we just invent a fun new genre? You are welcome.).

However, guitar riffs and drum solos have been permeating the tent as rehearsals for our upcoming family show Big Top Rock: Dream On heat up. This has lead to some passionate debates about fundamental rock anthems and what music makes up a true rock education or rockucation if you will. Almost all debates end in YouTube videos. And air guitar-ing.

We’ve asked the cast of Dream On to generate a top five list of  all-time greatest rock songs. Quintessential rock songs that are the cornerstone to a musical education. 

Ben Wendel and Rachel Nehmer of Duo Madrona stepped up to the DJ booth first andDuo Madrona  provided an epic list:

Ben:
Smells Like Teen Spirit, Nirvana
While My Guitar Gently Weeps, The Beatles
Highway to Hell, ACDC
Whipping Post, The Allman Brothers Band
Piece of My Heart, Janis Joplin

Rachel:
Twist and Shout, The Beatles
Bohemian Rhapsody, Queen
Born the USA, Bruce Springsteen
Your Momma Don’t Dance, Poison (cover)
Blister in the Sun, Violent Femmes

 

Now you’ve got the mic. What is your top five?

Quickie with a Choreographer

On The Air co-choreographer Ariana Lallone took a moment to answer five of our quasi-red swanchoreography related questions.

1. When you were a kid, did you make up dance routines with your friends?

I was definitely more of an emulator than a creator. If I saw a performance, a role that I really dreamed about dancing some day or a dancer that I wanted “to be just like”…I would spend hours trying to re-create what I had seen. This usually occurred in front of my biggest fan, loving critic, and only audience member at the time… my mom.

2. You have appeared in Two Teatro ZinZanni dinner shows, numerous kids shows, and now you co-choreographed On The Air, Is this what you thought your retirement from PNB would be like?

I think I could write a book on that question alone. In a nutshell…I had no idea!! In my heart, I was nowhere near ready to stop performing; I had no connection to the word retirement. I was welcomed, with love, into a world that I only could have dreamed about being part of, because I was such a huge fan of Teatro ZinZanni! Through performance, training, and a tremendous amount of encouragement… I have been able to grow as an artist, performer, and person. I went from immediately saying “no” to things I thought I was not capable of doing, to “yes, sure I’ll try it.” I feel so grateful to Teatro ZinZanni for giving me this incredible opportunity to spread my wings.

Ariana Tambourine Sub

3. What was it like co- choreographing a Teatro ZinZanni dinner show?

I can safely say that Mickael Bajazet and I had an incredible time working together on the choreography for On The Air. Though I was a bit nervous about it in the beginning, because I had never done anything like this before, my trepidation quickly vanished. We had immediate symmetry during our brainstorming sessions. We devoted a lot of time to talking about our ideas, blocking those ideas in the space, and then working on the choreography… before the rehearsals with the servers and the cast even started. We wanted to be prepared!! We would bounce ideas off each other, and it seemed, at times, that we were reading each other’s mind. Mickael has an innate sense of music, and I love to count… so we were perfect partners. Collaborating, as part of the creative process, is one of my most favorite things to do. l loved every minute of working with Mickael and hope we will have a chance to collaborate again.

4.  Favorite song to dance to when no one is watching?

I find it hard to hone in on one particular song as a favorite. I love music that gives me energy, inspiration, and the feeling that I can’t sit still when I listen to it. That being said, I must confess that I will always have special place in my heart for disco and a good musical theater sound track.

5.  Favorite song to dance to when someone is watching?

Most of “someone watching” happened during my career at PNB and then very happily continued at Teatro ZinZanni. Because I am unable to pick a favorite role that I danced, it makes it impossible for me to pick a favorite song. When I hear music to some of the roles that I loved performing (or even those that I just loved watching)…I am immediately transported to the experience of all that was involved in that process. It takes me just seconds to remember the steps or the person I worked with that helped rehearse or choreograph the role.

6. If you could teach an animal to dance, which animal would you pick and why (bonus points for picking a song)?

I’m going to have to go with a baby African Pygmy goat.  I’m not sure how coachable it would be, and we would probably have to rely on frequent bottle feedings, intermittent naps, and a lot of improv. I imagine the choreography would mostly include small jumps with an occasional series of turns either in place or all over the place. I think I’d go with an original barnyard musical composition… highlighting its own spectacular newborn voice.

Photo Credit: Maryland Zoo

Photo Credit: Maryland Zoo

Two for You, Juliana Rambaldi

Juliana

What two questions would you ask our performers?  You asked, we got answers. First up in our series, Two for You, Juliana Rambaldi:

TZ: What is your favorite song right now?

Juliana: My favorite song right now is the new aria I’m working up for the show (which was put in the show): Ebben? Nè andró lontana, from La Wally by Catalani.

TZ:  Where is your favorite place in Seattle when you are in town?

Juliana: Not sure about the favorite place – anywhere where my family is! Lately I have been enjoying taking the ferry across to Bainbridge Island. I recently had great Chinese food at Judy Fu’s Snappy Dragon on Roosevelt.

Find out more about Juliana on her website!

Have a burning question, email us at tzsocial@zinzanni.com

Goofing Off and Being a Clown

For most administrators, reviewing registration paperwork is not the most thrilling part of their day.

Most administrators don’t work for the circus! Also most registration forms don’t ask questions like: Please write a few sentences about your experiences in Circus and Performing Arts. If you have no experience, please tell us what excited you about Camp ZinZanni.

For us perusing camp registration forms are a source of joy and validation. They are teeming with stories from parents running the gamut from  their child having truly transformative experiences under the tent to their kid had a blast learning slapstick comedy (sometimes both). This is not surprising as a  good portion of our camps are filled with former campers or siblings of campers who have grown up hearing all about Camp ZinZanni.

The best stories, however,  come from the kids, especially when it is written by them (see the image below). Here are some of our favorites:

I have never done circus but I have done hip-hop, gymnastics and Youth Theatre.  I have really enjoyed them all.  Last summer my friend went to Camp ZinZanni and said it was so much fun, and that made me want to go really badly.  I’m so excited that I can’t wait any longer!!

I don’t like juggling much.  But I like acting and acrobatics.  I went to this camp one year ago.

The best was learning how to slap myself. I want to do it again!

My mommy told me I had to go so here I am.
goofing off

 

See the 2014 Schedule!

 

On The Food

Let’s talk food for a minute or an hour (really we could go on for days about food).

Chef Erik Carlson has whipped us into a frenzy over his delicious delicacies (and his pink-salt whipped cream no less) prepared especially for On The Air.

“Chef Erik Carlson has devised a menu filled with complex flavors and delicious surprises.”  SeattleActor.com

Here’s the menu rundown:

APPETIZER

Two endive cups – one featuring cherry molasses pulled pork, the other a tomato-fennel quinoa – with grissini breadsticks and an aged balsamic reduction

SOUP

Carrot and ginger bisque garnished with candied rosemary

SALAD

A fresh mix of arugula and frisee, topped with pickled radish, roasted kohlrabi, bleu cheese crumble, and toasted hazelnuts tossed in a light cumin and lemon vinaigrette

ENTRÉES (or as we call it choices, choices, choices)

Prime Top Sirloin

Double R Ranch 8oz top sirloin with a cabernet reduction, served with caramelized onion and arugula bamboo rice, and garlic squash pasta

Crab Stuffed Sea Scallops

Sea scallops with a Dungeness crab filling served with polenta, oven roasted asparagus, and a rich Tobiko beurre blanc

Vegetable Napoleon

Layers of phyllo pastry, roasted sweet corn-edamame relish, and root vegetable mash on a sun dried tomato cream puree

DESSERT

Golden lemon-basil pound cake with a spiced apple-rhubarb compote center topped with a vanilla-pink salt whipped cream

Here’s what our guests are saying:

“Amazing show and amazing dinner!” -Carman party

“The food was perfect, every course.”  -Marie, Snohomish, WA

“Delicious accommodation to  our gluten allergy!” -Buck party

“My sirloin was perfect!” -Facebook fan